April 1-May 21
Brick Myth is inspired by Persian pleasure-pavilions: ornate, paneled tents pitched outdoors for entertaining and gathering. The tent utilizes ornamental patterns based on rescued 19th-century ornamental brick from the National Building Arts Center, a conservatory in Sauget, Illinois. The center houses more than 40,000 ornamental bricks in hundreds of designs and served as a study center for creating Brick Myth. During the 19th and 20th centuries, Saint Louis was an epicenter for the manufacturing of building materials, and much of the face and ornamental brick found in US cities originated in Saint Louis. Brick Myth is also inspired by the Saint Louis Art Museum’s recent exhibition The Carpet and the Connoisseur, as well as Persian miniatures from the permanent collection. Like the rich sunshades, awnings, and fabric pavilions found in Persian miniatures, Brick Myth’s fabric architecture is delicate. Ornamental bricks stack up the rust-like structure and hover over reclining viewers. The tent raises a complicated view of the American city that addresses structure and collapse, and quotidian imagery’s influence on our lives.
Sage Dawson is an artist examining dwelling rights, land use, and the identity of spaces. Her work investigates and interprets sites and objects, and documents the production and destruction of space. She has exhibited work at the Urban Institute for Contemporary Art, the Chicago Artists Coalition, Boston University, the City University of New York, and the International Print Center New York. Dawson is a recent recipient of the Denbo Fellowship at Pyramid Atlantic, a residency at the Luminary Center for the Arts, and is a 2015 Joan Mitchell Foundation Award nominee. Her work has been featured in Elephant Magazine, From Here to There published by Princeton Architectural Press, and reviewed by Lori Waxman for 60 wrd/min art critic and at Hyperallergic. Dawson holds an MFA from the University of New Mexico, and a BFA from Missouri State University. She teaches in the Department of Fine and Performing Arts at Saint Louis University.
Video installation by Abigail Lucien
June 3-July 23
For her video installation Troupeau Bleu, Lucien combines found footage and staged installation inspired by Giles Deleuze’s essay ‘Desert Islands’ to narrate idealistic dreamscapes of islands. The dreamscape installations center upon places of community, luxury, and ideals found in the tropics.
As a bicultural Haitian-American woman, Lucien’s thoughts cultivate within a third-culture terrain — a lush limbo situated in the crossing of two dissimilar cultures. This elusive location teems with warm disappointments as the familiar forms she constructs engage with perceptions of tactile and allegorical artificiality. Stimulated by reflections on cultural identification, commercialism, and colonial enthusiasm, her research plays with unsettling archetypical representations of tropical identity and confronting the unquenchable longing for the exotic.
Abigail Lucien spent her youth in Cap-Haitien, Haiti before settling with her mother and two elder sisters to Palm Coast, Florida. Her work explores hybrid mixed media techniques, frequently integrating installation, sculpture, and time-based media within her process. She is a recipient of both the 2013 and the 2014 Award for Excellence in Printmaking from the Florida State University in Tallahassee, FL, the 2016 Screen Print Biennial Speedball Juror Award, a full-time apprenticeship at The Fabric Workshop and Museum in Philadelphia, PA, was a featured artist at the 2016 Atlanta Biennial, and served as an Artist-in-Residence at the Eugeniusz Geppert Academy of Fine Arts in Wrocław, Poland. Lucien earned her BFA with Honors from Florida State University in Tallahassee, Florida and is currently working towards her MFA in Printmaking at the University of Tennessee, Knoxville.